Furniture

A masterclass in timeless design and functional clarity, this 606 Universal System by Dieter Rams for Vitsoe is configured here as an elegant sideboard spanning 290 cm in width. Designed in the 1960s, the system remains a benchmark in modular modernism — understated, intelligent, and endlessly adaptable. <p> This particular setup features two closed storage units — one with sliding doors and one with a drop-up front — seamlessly integrated into the aluminum track system. A minimal upper shelf completes the composition, offering space for display while maintaining a clean architectural line. The soft cream, grey-toned panels and exposed aluminum structure evoke Rams’ commitment to restraint and utility, hallmarks of his design ethos. </p> Good overall vintage condition. Minor surface wear and patina consistent with age, structurally solid and fully functional — a testament to Vitsoe's high production standards. <p> It offers a harmonious balance between closed storage and open display, perfect for books, objects, and table light. The system’s timeless aesthetic makes it as relevant today as it was over 50 years ago. </p>

This shelving system, designed by Dieter Rams for Vitsoe, is an early production model dating from circa the 1960s to early 1970s. This is a prime example of minimalist functionality, it embodies Rams’ iconic design philosophy: 'Less, but better'. <p> The unit features three shelves, two shallow shelves with a depth of 22 cm, and one deeper shelf at 36 cm, suitable for larger objects or even use as a compact desk surface. The piece is both compact and practical, ideal for showpiece, studio, or office settings. </p> Constructed with high-quality aluminum uprights and shelves with grey-painted wooden bases and aluminum side panels, it reflects the precision and timeless appeal of Rams' modular design system.

Mid-century industrial step ladder, dating from the 1950s, is a striking example of functional design with timeless character. Originally used in libraries and archives, it blends utility with aesthetic charm perfect for both practical use and decorative display. Crafted with a sturdy tubular steel frame in a soft, pale blue, and paired with solid wooden treads that show beautiful natural aging, this piece carries authentic patina and presence. It features six steps and a wide top platform, surrounded by minimalist safety rails. Whether used as a unique shelving solution or sculptural accent, it brings an industrial edge to any space.

Swedish Mid-Century bar set made from solid pine, crafted 1970s. Showcasing the natural wood grain, 'the' perfect balance of modern design and natural warmth. The set includes three matching bar stools that seamlessly integrate into the bar’s structure. This cabinet features a clean, rectangular form with modernist lines, exposed dovetail joints, emphasising its craftsmanship. The front compartment is fitted with white Formica covered sliding doors- and brass knobs revealing three adjustable shelves inside for practical storage of your cocktail refreshments. The three solid pine stools complement the bar’s minimalism and it's geometric design. Each features an open rectangular frame, fitted with brass levelling feet combining visual lightness with sturdy construction.

Round dining table featuring a geometric base in patinated tubular steel, with elements grouped at the center and branching outward in an architectural, sculptural form. The round, sandblasted glass top adds a soft, matte finish that contrasts elegantly with the industrial character of the metal structure. This piece aligns beautifully with the aesthetics of German avant-garde design from the late 1980s.

A pair of early edition mid-century lounge chairs, designed by Florence Knoll in the 1960s. Featuring a sleek minimalist metal frame, they have been reupholstered in an ivory-coloured fabric by the previous owner. The chairs, geometric design reflects the influence of mid-century modern architecture. Both pieces are in excellent, well-maintained condition.

The Ludwig Mies van der Rohe S 533 cane cantilever chair for Thonet is a true icon of modern design, blending elegance with functionality. Designed in the early 20th century by one of the pioneers of modern architecture, this chair features a sleek tubular steel frame that creates a seamless, flowing form. The seat and backrest are crafted from handwoven cane, providing both comfort and a natural aesthetic that contrasts beautifully with the chrome structure. Lightweight yet durable, the chair exemplifies Mies’ philosophy of 'less is more'. Signed with applied foil manufacturer's label to underside: ´Thonet D3558 Frankenberg´.

The Formula Occasional Table. A round wooden table featuring a white Formica top with a bold red circular accent, supported by chrome tubular legs. Designed by Ruud Ekstrand and Christer Norman for the Dux Studio Collection in 1968, Sweden, is an iconic piece from the renowned Formula series. Its minimalist form and modern aesthetic make it a versatile addition to any space, whether used as a side table, coffee table, or decorative accent. This design perfectly exemplifies Ekstrand and Norman’s ability to seamlessly blend form and function, resulting in a timeless piece that remains highly sought after in contemporary furniture design. The Formula Occasional Table continues to stand out for its elegance, simplicity, and adaptability across various interior spaces.

Alfred Hendrickx wardrobe for Belform, 1960. Crafted from Zebrano wood, the wardrobe features a striking design with a rectangular black wooden base. It has two sliding doors, behind which are coat hangers on both the left and right sides. The right side includes two shelves, while the left side has one.

Table designed by Jules Wabbes, Belgium, 1970s. Featuring a rectangular rosewood veneer top, resting on a geometric, chrome-plated stainless steel base. The base’s visible joints highlight its constructive composition, contributing to its honest and refined design. A timeless addition to any space, perfect as a table or desk.

Set of three occasional side tables made of plexiglass and elm wood. France circa 1970. These tables feature a minimalist design that seamlessly blends aesthetics and functionality. The plexiglass base not only supports the tabletop but also elevates the overall design and contribute to the spatial perception.

A well preserved set of six mid-century dining chairs, crafted in France circa 1970 in the spirit of Charlotte Perriand. These chairs feature a solid oak frame complemented by gently curved backrests in pressure moulded plywood veneer, offering a refined balance between structural strength and sculptural form. <p> The handwoven rush seats are in excellent condition, showcasing precise craftsmanship with no loose cords. Over the years, the oak wood has acquired a rich, natural patina, adding depth and authenticity to each chair. </p> This ensemble captures the quiet elegance of French rural modernism, blending organic materials with artisanal quality. A timeless addition to both modernist and contemporary interiors, offering subtle contrast and lasting character.

Set of four Sevilla chairs designed by Frans Van Praet for Belgo Chrom, Belgium 1992. The chairs where designed for the Belgian Pavilion in Sevilla Spain '92 world expo. Steel perforated back structure. New upholstered seat in light brown Alcantara suede upholstery. The chairs have gained a natural patina through the years and stand in a good, sturdy condition. Frans Van Praet is a Belgian designer, artist and interior decorator who is still active today. His furniture designs are closely related to the spaces he decorates. He is specialised in (re)installations and renovations of private homes and commercial buildings. One of his most famous interior projects would be The Belgian Pavilion at the Sevilla World Expo.

Elegant side table or pedestal table. Circa 1950, France. Brass frame, round mahogany wooden table top with a decorated grid supported with brass x-leg base.

Peacock chair or Emmanuelle chair starring in the french erotic movie Emmanuelle, 1974. Based on the novel from Emmanuelle Arsan with film star Sylvia Kristel. Rattan and wicker chair with eye-spotted high and large backrest adorned with traditional cresting.

Wardrobe manufactured by Belform Belgium. Dating from 1950. This closet features four sliding doors with chrome plated handles. On the left side a double compartment with coat hanger. In the middle a small compartment with coat hanger. On the right side four shelves. Minimalist Art Deco closet in rosewood wood finish raised on a black Formica base.