Vintage

The Gully desk lamp, designed by Ingo Maurer for M Design in 1969, is part of the inaugural collection Maurer created for his company, Design M. This chrome version features a 90-degree bent pipe that transitions into a plate foot. The lamp head has an open front end and perforations along the neck, enhancing the overall design of the rigid light head.

Modernist pendant lamp designed by Alessandro Pianon for Vistosi, Italy, circa 1960. It features an onion-shaped orange glass shade suspended by a steel and electric cable, secured with a black ceiling mount. The lamp radiates a warm, diffused ambient light. Alessandro Pianon was born in Venice, Italy, attended architecture school in Venice and used his talents to become an architect and designer. He was hired by Vetreria Vistosi in 1956 to design the company logo and subsequently created numerous glass collections.

Table designed by Jules Wabbes, Belgium, 1970s. Featuring a rectangular rosewood veneer top, resting on a geometric, chrome-plated stainless steel base. The base’s visible joints highlight its constructive composition, contributing to its honest and refined design. A timeless addition to any space, perfect as a table or desk.

Pair of sconces designed by Louis Kalff. Circa 1960. They feature a combination of teak wood and white metal. Supporting a cylinder milk glass. Offering a soft light that pleasantly fills the room. Louis Kalff (1897-1976) was a Dutch industrial designer and architect, renowned for his innovative contributions to lighting design. Kalff’s work is characterised by clean lines, innovative use of materials, and a keen attention to detail.

This elegant office chair, meticulously crafted by Italian architect and furniture designer Osvaldo Borsani for Tecno in 1960, seamlessly blends comfort and style. Its cognac leather upholstery, extending gracefully to the armrests. The four-star aluminium base, equipped with casters, adds both stability and mobility. With its sophisticated design, this chair exudes timeless class.

The BE02 Bookcase, designed by Cees Braakman for UMS Pastoe in 1952, is a striking blend of Art Deco and modernism. Crafted from oak, this open unit features three adjustable shelves and distinctive wedge-shaped legs, making it a standout piece in any setting.

Black KD27 Joe Colombo table lamp. The base is constructed from ABS (Acrylonitrile Butadiene Styrene) plastic, which was a popular material choice during the 1960s and 70s for its durability and versatility. The base supports a double diffuse circular cap. The KD27 serves as both a table lamp and an ambient light, making it a versatile addition to any interior space.

Three seater or sofa. Designed by Erik Wørts for Ikea. Circa 1960. Model name 'Kolding'. Wooden teak structure with off white wool fabric upholstery, providing both comfort and a touch of sophistication. Ikea Sweden produced the Kolding sofa around 1962.

Pendant light designed by Poul Henningsen for Louis Poulsen. Denmark 1958. Hanging lamp Tallerken model formed by concentric rings of copper brass embedded in each other. The light was made for Pavillon Langelinie in Copenhagen in 1958. Poul Henningsen originally trained as an architect at the Copenhagen College of Technology. In 1920, he set up his own architectural office in Copenhagen. He worked as a freelance architect and designed several houses, a factory, a part of the Tivoli amusement park, and the interiors of two theatres. He is considered one of the most influential designers in the field of lighting.

Crafted by designer Henk Fillekes in the 1950s, this minimalist floor lamp showcases timeless elegance. The lamp features a sleek black metal tripod base with an integrated magnet. The nickel-plated stem holds a steel ball that seamlessly connects to the magnet in the foot. This ingenious design allows the lamp arm to be positioned in any desired direction.

Large sideboard model nr. 308 designed by Alfred Hendrickx for Belform with sliding door in Unique Ceramic illustration Signed by Willy Meysmans 1958. Sideboard made of Bubinga wood with 4 drawers and two shelves inside.

Set of three occasional side tables made of plexiglass and elm wood. France circa 1970. These tables feature a minimalist design that seamlessly blends aesthetics and functionality. The plexiglass base not only supports the tabletop but also elevates the overall design and contribute to the spatial perception.

Six mid century dining chairs with hand woven rush seating. France, circa 1970. Solid oak wooden structure with curved plywood backrest made of pressure moulded veneer layers. The chairs have gained a original rich patina through the years. The seats are in very good condition, without any loose cords. Wear consistent with age and use.

Set of four Sevilla chairs designed by Frans Van Praet for Belgo Chrom, Belgium 1992. The chairs where designed for the Belgian Pavilion in Sevilla Spain '92 world expo. Steel perforated back structure. New upholstered seat in light brown Alcantara suede upholstery. The chairs have gained a natural patina through the years and stand in a good, sturdy condition. Frans Van Praet is a Belgian designer, artist and interior decorator who is still active today. His furniture designs are closely related to the spaces he decorates. He is specialised in (re)installations and renovations of private homes and commercial buildings. One of his most famous interior projects would be The Belgian Pavilion at the Sevilla World Expo.

Industrial table designed by Friso Kramer for Ahrend de Cirkel. The Netherlands, circa 1955. This table is the largest version made, 95 inch. Finished with black linoleum and aluminum edge. Industrial grey frame. Kramer’s designs have been exhibited in the Stedelijk Museum in Amsterdam and the Museum Boijmans Van Beuningen in Rotterdam. He is also the recipient of the title 'Royal Designer for Industry' by the Royal Society of Arts in London.

Elegant side table or pedestal table. Circa 1950, France. Brass frame, round mahogany wooden table top with a decorated grid supported with brass x-leg base.