Pieter De Bruyne Chest of drawers Belgium 1960
This chest is based on a solid construction made of teak wood, featuring straight lines and right-angled shapes. Designed by Pieter De Bruyne for AL Meubel, Belgium 1959. Functionality comes into play through the availability of great amount of storage space created by three extended drawers. De Bruyne placed the cabinet on a well-proportioned base with metal connections that lifts up the piece in an architectural manner and shows wonderful lines and constructive highlights.
Pair of black cylinder spot or sconces Raak Amsterdam 1970
Pair of black cylinder spot lights or sconces, circa 1970. Black metal tube and brushed aluminum shade with mirrored reflection. Spots mounted on a chrome stem that can be adjusted in any position. Could be used as reading light or to highlight some objects.
Constructivist Belgian two level coffee table circa 1950
This elegant Belgian coffee table is designed in a strong constructivist 50s style. The wooden walnut legs create a design with clear modern features. Two level coffee table with rectangular black vinyl shelve and glass top. An elegant and versatile piece that is both functional and aesthetic.
Space age fiberglass chair with black leather upholstery circa 1960
Space age lounge chair. Design from 1960. Made of two moulded white fiberglass parts. Black leather upholstery. Pop-cultural lounge chair. The combination of the white fiberglass with the black leather enhances a dynamic architectural look.
Emile Souply writing desk circa 1965 Belgium
Modernist desk or console, designed by Emile Souply. Circa 1965, Belgium. Chrome plated metal trestles with smoked glass top. Émile Souply (1933 - 2013) was a silversmith by training, and his interests in the field of the visual arts were diverse. Above all, he valued artworks as objects for reflection. Throughout his career, Émile Souply’s output moved between silversmithing, designer furniture, jewelry, sculpture, architecture and teaching.
Ico Parisi Mobili Italiani Moderni Terni Dining Conference table 1960
Dining or Conference table designed by Ico Parisi for MIM (Mobili Italiani Moderni) Roma 1958. Large table in Rosewood resting on three legs finished on the end with steel hooves. Presented with <a href='https://www.furniture-love.com/vintage/furniture/788/renato-venturi-4-dinning-chairs-mim.html'>Renato Venturi</a> dining chairs by MIM.
Poul Henningsen PH Contrast pendant for Louis Poulsen 1960
PH Contrast designed by Poul Henningsen for Louis Poulsen. Circa 1960. The pendant consists of 10 aluminum discs. Each shade consists of four different surfaces in orange, blue, white and chrome for perfect reproduction of the light. The light passing through the lamp has an enriched tone to it through the orange reflection on the inside. The bulb can be moved up and down in the housing to enhance or reduce focus in the bottom section of the lamp. The chandelier is no more in production.
Two level sideboard or highboard for Alfred Hendrickx Belform 1960
Rosewood two level sideboard or highboard. Model 425. Designed by Alfred Hendrickx for Belform, circa 1960. Four sliding doors with black metal handles. Four shelves inside. Tree drawers. Drop down door office compartment with white glass shelve and bottom.
Alfred Hendrickx rosewood Wall unit with desk Belform 1960
Belgian modern wall unit designed by Alfred Hendrickx for Belform, circa 1960. Rectangular rosewood frame foundation. Special feature is the open space that allows the wall unit to interact with the back wall. Multiple shelves (6) and two compartments. Compartment with doors and shelve inside and compartment that can be used as desk.
Eight chairs Designed by Fien Muller and Hannes Van Severen for Valerie Objects
Set of eight chairs. Designed by Fien Muller and Hannes Van Severen. Made in Belgium. Since it is made of aluminum, the chair is quite light and suited for both indoor and outdoor use, thanks to the treatment with beewax and an uv protective lacquer. The aluminum frame of the chair shines bright while the landscape of colors for backrest and seatings give it that typical Muller Van Severen aesthetic. The alu chair is an industrial version of the ‘chair 2’ designed for the Bahrain pavilion at the World Milan Expo 2015.
Set of four Eugen Schmidt dining chairs 1960
Set of four dining chairs designed by the German designer Eugen Schmidt. Circa 1960. The chairs are made of solid rosewood plywood in an elegant shape, which provides them with a very clean line. Upholstered in new green calf leather. Mounted on chrome folded legs, the chairs have a slight floating appearance.
Tom Dixon Chaise Longue Bird design for Cappellini International interiors 1990
The Bird Chaise Longue is a rocking armchair, a comfortable and functional seat that follows the light movement of those who decide to stretch out on its wings. Designed by Tom Dixon for Cappellini 1990. Model Bird. It is composed of an internal structure in wood and metal, padded and with completely blue removable cover (Tonus 4 0631). The lounge chair remains in perfect condition. Marked underneath with 'Cappellini International interiors, Bird design Tom Dixon'.
Alfred Hendrickx rosewood sideboard for Belfrom 1960
Rosewood sideboard designed by Alfred Hendrickx for Belform, Circa 1960 Belgium. Two sliding doors with two drawers and shelves inside. Raised on nickel plated feet.
Alfred Hendrickx Bubinga wardrobe for Belform 1970
This wardrobe is designed by the Belgian designer Alfred Hendrickx for Belform. Dating from 1970. This closet features four sliding doors with nickel plated handles. On the left side a coat hanger and shoe rack. On the right side three drawers and a coat hanger. Minimalist closet in bubinga wood finish raised on a black Formica base.
Gino Sarfatti Chandelier 2097 for Arteluce 1960
Chandelier model 2097/30 designed by Gino Sarfatti for Arteluce. Italy 1958. First production. Chrome plated metal cylinder with 30 chrome arms. Original typical split black wiring. 30 light points.
Roger Rougier for Maison Rougier Arun Flower lamp 1970s
Monumental lamp by the famous Canadian company Rougier. Circa 1970s. Rare decoration with the Arum flower. The flower is in silver perspex and the base is in solid brass. It is signed at the base with the Rougier label.