Vintage

Set of four highly comfortable chrome side stools with leatherette upholstery seating and Stainless steel chrome tulip foot, circa 1970. Due to the solid seat, these chairs provide a very pleasant seating comfort. The circular footrest emphasizes the minimalistic design. The circle is the repetitive pattern in this design, as seen in base and seating. Well made, sturdy and durable pieces, highly suitable for both residential bars and public places.

Coffee table on castors designed by Pierangelo Gallotti for Gallotti Radice, 1975. Model 'George'. 8mm tempered glass. Stainless steel and brass ends. Rectangular two level coffee table with a sleek and modern appearance creating an illusion of space and lightness to the room.

Lounge chair designed by Pierre Guariche with matching ottoman. Helsinki model, circa 1960. Chair with teak wood shells. The base is in black lacquered steel. The design embodies the spirit of twentieth-century modernism. The chair has been re-upholstered in blue-gray velvet.

Sophisticated side tables designed in France, circa 1970. Brass structure supporting a smoked glass top. Classic rectangular tables with an interesting look. Modern, simplistic design, with minimal use of materials and high detailed. Timeless occasional tables can be placed in any interior, whether classic, modern or contemporary.

Spiral table lamp. Attributed to Babur Kerim Incedayi. Circa 1960. The 1960s was a time of innovation and experimentation in design. Influences from the Space Age and Pop Art movement can sometimes be seen in the whimsical and futuristic designs of spiral lamps. The lamp can be articulated in any direction to a desirable position.

Original Revolt chair, designed by Friso Kramer and manufactured by Ahrend de Cirkel. Unveiled in 1953, the iconic Revolt chair’s production started in 1958. Lime version is a rare version and no more in production. The chair is labelled with the Ahrend de Cirkel logo impressed at the back (Ahrend de Cirkel).

Writing table designed by Belgian architect and designer Willy Van Der Meeren (1923–2002) for Tubax 1953. Modernist desk characterized by clean lines, minimalism, and innovative use of materials. Grey metal structure with wooden platform and storage space underneath.

Set of 10 highly comfortable chrome side stools with leatherette upholstery seating and Stainless steel chrome tulip foot, circa 1970. Due to the solid seat, these chairs provide a very pleasant seating comfort. The circular footrest emphasizes the minimalistic design. The circle is the repetitive pattern in this design, as seen in base and seating. Well made, sturdy and durable pieces, highly suitable for both residential bars and public places.

Office desk with pigeonhole in front. Design by Pierre Jeanneret. Circa 1957-58 made for the Chandigarh Administration building India. Solid Sisso (Indian rosewood) structure. With dark olive green leather top. On the user side a drawer unit and on the front six open cabinets for books.

Presenting a set of four original Revolt dining chairs, designed by Friso Kramer and manufactured by Ahrend de Cirkel. Unveiled in 1953, the iconic Revolt chair’s production started in 1958. The wooden version is a rare version and produced in limited numbers and no more in production. This model is in the collection of the Stedelijk Museum in Amsterdam. The chairs are labelled with the Ahrend de Cirkel logo impressed at the back (Ahrend de Cirkel).

Pair of timeless post-war pendants made by Stilnovo Italy, 1950. Round shaped lamp in white and red painted metal. Minimalist light with geometric shape and bold lines. Marked with label Stilnovo Milano.

White pendant lamp designed by Tobia Scarpa. The Nictea lamp was created in 1961 and is renowned for its unique and elegant design. It features a delicate, sculptural shade with filtered light via perforations and concentrated light downwards through louvred glass lens. Creating a captivating interplay of light and shadow. The lamp has become an iconic piece in the world of modern design and is highly regarded for its timeless beauty and artistic craftsmanship.

Saw chair designed by Ole Gjerløv-Knudsen. 1958 Denmark. Birch wooden frame. Four parts sliding in each other. The seating angle can be changed by adjusting the parts more forward or afterwards. Original canvas seat. Rope to keep the parts together into balance. This chair is characterized by a focus on simplicity, functionality, and craftsmanship, emphasizing clean lines and natural materials.

Lady desk designed by Studio Gallotti & Radice. Italy, 1971. Smoked tempered glass. Stainless steel and brass ends. Rectangular desk with a sleek and modern appearance creating an illusion of space and lightness to the room.

Rectangular modernist wooden bench or low bookcase. The bench features a architectural form. Extra long version. Solid wood and has created a beautiful patina through the years. The aesthetics are archetypical for this design, bearing references to architectural forms.

Roche Bobois two level coffee table with smoked glass on top supported by central square base, circa 1970. Wooden base with black formica and brushed steel belt. Low table with pure futuristic and minimalist lines.