Vintage

This flush mount light fixture is a beautifully crafted piece of Swedish manufacturing. It features a white lacquered steel structure paired with a square pine shade, creating a perfect balance of modern design and natural warmth. The shade is constructed from finger-jointed pine, highlighting the unique beauty and grain of the wood. An acrylic diffuser provides soft, even lighting, making it a stylish and functional addition to any contemporary space.

The Saucer H-727 is an iconic lighting fixture designed by George Nelson for Howard Miller in 1952. Featuring boxy wire (cage) frames and latex shade, the lamp embodies a modern aesthetic with a sculptural form. The Bubble Lamp series, which includes this model, is known for its soft diffusion of light, creating an ambient atmosphere in any space. Remains in good condition for its age, with signs of aging as shown in the images. Introduced commercially in 1952, the Saucer H-727 was the largest version of the series, demonstrating Nelson's visionary approach to lighting design. Its innovative use of materials and clean, geometric lines contributed to the development of modern lighting and furniture design in the mid-20th century. Features a sticker with the logo and the following inscription: 'BUBBLE LIGHTING FIXTURES, Howard Miller Clock Company, Zeeland, Michigan'.

A pair of early edition mid-century lounge chairs, designed by Florence Knoll in the 1960s. Featuring a sleek minimalist metal frame, they have been reupholstered in an ivory-coloured fabric by the previous owner. The chairs, geometric design reflects the influence of mid-century modern architecture. Both pieces are in excellent, well-maintained condition.

The Ludwig Mies van der Rohe S 533 cane cantilever chair for Thonet is a true icon of modern design, blending elegance with functionality. Designed in the early 20th century by one of the pioneers of modern architecture, this chair features a sleek tubular steel frame that creates a seamless, flowing form. The seat and backrest are crafted from handwoven cane, providing both comfort and a natural aesthetic that contrasts beautifully with the chrome structure. Lightweight yet durable, the chair exemplifies Mies’ philosophy of 'less is more'. Signed with applied foil manufacturer's label to underside: ´Thonet D3558 Frankenberg´.

The Formula Occasional Table. A round wooden table featuring a white Formica top with a bold red circular accent, supported by chrome tubular legs. Designed by Ruud Ekstrand and Christer Norman for the Dux Studio Collection in 1968, Sweden, is an iconic piece from the renowned Formula series. Its minimalist form and modern aesthetic make it a versatile addition to any space, whether used as a side table, coffee table, or decorative accent. This design perfectly exemplifies Ekstrand and Norman’s ability to seamlessly blend form and function, resulting in a timeless piece that remains highly sought after in contemporary furniture design. The Formula Occasional Table continues to stand out for its elegance, simplicity, and adaptability across various interior spaces.

Alfred Hendrickx wardrobe for Belform, 1960. Crafted from Zebrano wood, the wardrobe features a striking design with a rectangular black wooden base. It has two sliding doors, behind which are coat hangers on both the left and right sides. The right side includes two shelves, while the left side has one.

Modernist pendant lamp designed by Alessandro Pianon for Vistosi, Italy, circa 1960. It features an onion-shaped orange glass shade suspended by a steel and electric cable, secured with a black ceiling mount. The lamp radiates a warm, diffused ambient light. Alessandro Pianon was born in Venice, Italy, attended architecture school in Venice and used his talents to become an architect and designer. He was hired by Vetreria Vistosi in 1956 to design the company logo and subsequently created numerous glass collections.

Table designed by Jules Wabbes, Belgium, 1970s. Featuring a rectangular rosewood veneer top, resting on a geometric, chrome-plated stainless steel base. The base’s visible joints highlight its constructive composition, contributing to its honest and refined design. A timeless addition to any space, perfect as a table or desk.

Pair of sconces designed by Louis Kalff. Circa 1960. They feature a combination of teak wood and white metal. Supporting a cylinder milk glass. Offering a soft light that pleasantly fills the room. Louis Kalff (1897-1976) was a Dutch industrial designer and architect, renowned for his innovative contributions to lighting design. Kalff’s work is characterised by clean lines, innovative use of materials, and a keen attention to detail.

Black KD27 Joe Colombo table lamp. The base is constructed from ABS (Acrylonitrile Butadiene Styrene) plastic, which was a popular material choice during the 1960s and 70s for its durability and versatility. The base supports a double diffuse circular cap. The KD27 serves as both a table lamp and an ambient light, making it a versatile addition to any interior space.

Pendant light designed by Poul Henningsen for Louis Poulsen. Denmark 1958. Hanging lamp Tallerken model formed by concentric rings of copper brass embedded in each other. The light was made for Pavillon Langelinie in Copenhagen in 1958. Poul Henningsen originally trained as an architect at the Copenhagen College of Technology. In 1920, he set up his own architectural office in Copenhagen. He worked as a freelance architect and designed several houses, a factory, a part of the Tivoli amusement park, and the interiors of two theatres. He is considered one of the most influential designers in the field of lighting.

Large sideboard model nr. 308 designed by Alfred Hendrickx for Belform with sliding door in Unique Ceramic illustration Signed by Willy Meysmans 1958. Sideboard made of Bubinga wood with 4 drawers and two shelves inside.

Set of three occasional side tables made of plexiglass and elm wood. France circa 1970. These tables feature a minimalist design that seamlessly blends aesthetics and functionality. The plexiglass base not only supports the tabletop but also elevates the overall design and contribute to the spatial perception.

Six mid century dining chairs with hand woven rush seating. France, circa 1970. Solid oak wooden structure with curved plywood backrest made of pressure moulded veneer layers. The chairs have gained a original rich patina through the years. The seats are in very good condition, without any loose cords. Wear consistent with age and use.

Set of four Sevilla chairs designed by Frans Van Praet for Belgo Chrom, Belgium 1992. The chairs where designed for the Belgian Pavilion in Sevilla Spain '92 world expo. Steel perforated back structure. New upholstered seat in light brown Alcantara suede upholstery. The chairs have gained a natural patina through the years and stand in a good, sturdy condition. Frans Van Praet is a Belgian designer, artist and interior decorator who is still active today. His furniture designs are closely related to the spaces he decorates. He is specialised in (re)installations and renovations of private homes and commercial buildings. One of his most famous interior projects would be The Belgian Pavilion at the Sevilla World Expo.

Industrial table designed by Friso Kramer for Ahrend de Cirkel. The Netherlands, circa 1955. This table is the largest version made, 95 inch. Finished with black linoleum and aluminum edge. Industrial grey frame. Kramer’s designs have been exhibited in the Stedelijk Museum in Amsterdam and the Museum Boijmans Van Beuningen in Rotterdam. He is also the recipient of the title 'Royal Designer for Industry' by the Royal Society of Arts in London.