Lighting

The Saucer H-727 is an iconic lighting fixture designed by George Nelson for Howard Miller in 1952. Featuring boxy wire (cage) frames and latex shade, the lamp embodies a modern aesthetic with a sculptural form. The Bubble Lamp series, which includes this model, is known for its soft diffusion of light, creating an ambient atmosphere in any space. Remains in good condition for its age, with signs of aging as shown in the images. Introduced commercially in 1952, the Saucer H-727 was the largest version of the series, demonstrating Nelson's visionary approach to lighting design. Its innovative use of materials and clean, geometric lines contributed to the development of modern lighting and furniture design in the mid-20th century. Features a sticker with the logo and the following inscription: 'BUBBLE LIGHTING FIXTURES, Howard Miller Clock Company, Zeeland, Michigan'.

Modernist pendant lamp designed by Alessandro Pianon for Vistosi, Italy, circa 1960. It features an onion-shaped orange glass shade suspended by a steel and electric cable, secured with a black ceiling mount. The lamp radiates a warm, diffused ambient light. Alessandro Pianon was born in Venice, Italy, attended architecture school in Venice and used his talents to become an architect and designer. He was hired by Vetreria Vistosi in 1956 to design the company logo and subsequently created numerous glass collections.

Pair of sconces designed by Louis Kalff. Circa 1960. They feature a combination of teak wood and white metal. Supporting a cylinder milk glass. Offering a soft light that pleasantly fills the room. Louis Kalff (1897-1976) was a Dutch industrial designer and architect, renowned for his innovative contributions to lighting design. Kalff’s work is characterised by clean lines, innovative use of materials, and a keen attention to detail.

Black KD27 Joe Colombo table lamp. The base is constructed from ABS (Acrylonitrile Butadiene Styrene) plastic, which was a popular material choice during the 1960s and 70s for its durability and versatility. The base supports a double diffuse circular cap. The KD27 serves as both a table lamp and an ambient light, making it a versatile addition to any interior space.

Pendant light designed by Poul Henningsen for Louis Poulsen. Denmark 1958. Hanging lamp Tallerken model formed by concentric rings of copper brass embedded in each other. The light was made for Pavillon Langelinie in Copenhagen in 1958. Poul Henningsen originally trained as an architect at the Copenhagen College of Technology. In 1920, he set up his own architectural office in Copenhagen. He worked as a freelance architect and designed several houses, a factory, a part of the Tivoli amusement park, and the interiors of two theatres. He is considered one of the most influential designers in the field of lighting.

Gesto Terra floor lamp or uplighter designed by Bruno Gecchelin and manufactured by Skipper Italy in 1974. This impressive floor lamp features a rectangle marble base and a white metal hood on chrome metal stems.

Hand thrown and oxidation firing table lamp by Jacques Pouchain, circa 1965. The base showcases a distinctive amorphous round design with a rich brown-red earthenware hue, complemented by a new beige lampshade. Debossed stamp circled 'JP'.

Spiral table lamp. Attributed to Babur Kerim Incedayi. Circa 1960. The 1960s was a time of innovation and experimentation in design. Influences from the Space Age and Pop Art movement can sometimes be seen in the whimsical and futuristic designs of spiral lamps. The lamp can be articulated in any direction to a desirable position.

Pair of timeless post-war pendants made by Stilnovo Italy, 1950. Round shaped lamp in white and red painted metal. Minimalist light with geometric shape and bold lines. Marked with label Stilnovo Milano.

White pendant lamp designed by Tobia Scarpa. The Nictea lamp was created in 1961 and is renowned for its unique and elegant design. It features a delicate, sculptural shade with filtered light via perforations and concentrated light downwards through louvred glass lens. Creating a captivating interplay of light and shadow. The lamp has become an iconic piece in the world of modern design and is highly regarded for its timeless beauty and artistic craftsmanship.

Pendant lamp, model Area. Designed by Mario Bellini for Artemide, 1974. Fabric cord with donut counterweight. Square foil and the five bulges that deform it, reminiscing the sky and its clouds.

Pair industrial minimalist photographic floorlamps. Manufactured by 'KAP', black steel powder coated. Circa 1950. The stem can be adjusted in height between 52 inch and 89 inch with butterfly screw. The lamp shade can be adjusted in multiple directions.

Pair of black cylinder spot lights or sconces, circa 1970. Black metal tube and brushed aluminum shade with mirrored reflection. Spots mounted on a chrome stem that can be adjusted in any position. Could be used as reading light or to highlight some objects.

PH Contrast designed by Poul Henningsen for Louis Poulsen. Circa 1960. The pendant consists of 10 aluminum discs. Each shade consists of four different surfaces in orange, blue, white and chrome for perfect reproduction of the light. The light passing through the lamp has an enriched tone to it through the orange reflection on the inside. The bulb can be moved up and down in the housing to enhance or reduce focus in the bottom section of the lamp. The chandelier is no more in production.

Chandelier model 2097/30 designed by Gino Sarfatti for Arteluce. Italy 1958. First production. Chrome plated metal cylinder with 30 chrome arms. Original typical split black wiring. 30 light points.

Monumental lamp by the famous Canadian company Rougier. Circa 1970s. Rare decoration with the Arum flower. The flower is in silver perspex and the base is in solid brass. It is signed at the base with the Rougier label.